{"id":10430,"date":"2017-02-05T16:50:57","date_gmt":"2017-02-05T16:50:57","guid":{"rendered":"http:\/\/visakanv.com\/1000\/?p=10430"},"modified":"2017-05-13T09:53:53","modified_gmt":"2017-05-13T09:53:53","slug":"0640-0641-calliope","status":"publish","type":"post","link":"https:\/\/visakanv.com\/1000\/0640-0641-calliope\/","title":{"rendered":"0640 + 0641 \u2013 Calliope"},"content":{"rendered":"
\n

Fiction.<\/em><\/p>\n

Preamble:<\/b><\/p>\n

I\u2019ve known for a more-than-reasonable amount of time now that I want to be a writer. Writing is something that I\u2019m pretty good at, and it\u2019s something I can see myself working on for the rest of my life, thanklessly, for minimal reward and recognition. So that much is settled in my head. I\u2019ve written over 600,000 words on this project alone, and I\u2019d do it over and over again for the rest of my life for its own sake. I have clarity on this.<\/p>\n

But now, moving forward. I know that I need to start writing works, rather than just verbalising my thoughts. This is an amusingly difficult transition for me, because I\u2019ve spent so much time in my headvoice. It\u2019s actually quite exhausting, and I have a feeling that once I\u2019m able to make the switch, I will feel incredibly relieved.<\/p>\n

Okay \u2013 so what I\u2019m going to try to do moving forward \u2013 at least with this vomit and the next few, as far as I can tell \u2013 is to start sketching out characters, settings, contexts, plots. I need to remind myself strongly that none of this needs to be coherent, none of this needs to make sense. It can be everything all at once in all directions\u00a0 \u00a0\u00a0. I just need to keep going until I catch something. So\u2026 this is it. This is where we dive in, like Ark in Terranigma jumping through the portal from the Underworld. This project transforms here, at 640.<\/p>\n

\u2013<\/b><\/p>\n

\n

There once was a girl. A lady. A woman. All and none of the above. Let’s call her Calliope.<\/p>\n

World<\/strong><\/p>\n

Calliope was born to a boring family in a boring city on a boring planet.<\/p>\n

This is a world that is most ways similar to Earth, but is presumably different in some ways that we don’t know yet. For one thing, the continents are different, and the nations and religions are different. If you\u2019ve got myopia and you\u2019re not wearing your glasses, it roughly looks the same.<\/p>\n

I’m not quite sure if it’s a modern-technology world or if it’s a fantasy world yet. But either way \u2013 if it’s fantasy, the elements of magic are effectively a ‘metaphor’ for technology. The point is, the reader lives in a world with\u00a0all sorts of cool technology, and I want to explore that. I want Calliope to grapple with making sense of her reality in its fragmentation, all the ways in which it trips through time. So I don\u2019t think it\u2019s going to be a Western, Wild West, frontier type situation. Calliope is going to have to deal with the fact that she basically lives in this world that claims it has a ton of freedom, but in reality it doesn\u2019t really. There are glimpses of both Orwell and Huxley in this world, but it\u2019s not quite as simple as either. Humanity has been domesticating itself in fits and starts.<\/p>\n

What do I know about Calliope\u2019s world? I know that it has a slightly grungy, cyberpunk element to it. But it can\u2019t literally be cyberpunk, that would be boring. What would a cyberpunk fantasy world be like? Or rather, if something that was fundamentally cyberpunk in nature was written in fantasy, what would it be like? This is an interesting thing to explore perhaps in a separate vomit. What if we took some popular stories and then put them in very different settings? Star Wars is effectively The Hero\u2019s Journey in Space. What would Game of Thrones be like if it were set in space? What would Ender\u2019s Game be like if it were set in Magic?<\/p>\n

Considerations:<\/p>\n

Media \u2013 what\u2019s the media like?<\/p>\n

Food, eating habits, rituals<\/p>\n

Education \/ child-rearing \u2013 what sort of childhood experience did Calliope have? Have we reformed schools yet? No, not quite. Standardised testing is still a thing. But by this point, most kids know that school is pretty much daycare. We can have a conversation about this. Lots of kids are running side-businesses, lots of girls are Instagram starlets.<\/p>\n

Power \u2013 what does the world run on? Are we in the driverless electric car future yet? I think we can incorporate that, yeah. It\u2019ll be nice to force people to read a world that\u2019s slightly in the future. Something like 2050s future. Mostly clean power? Or is there some sort of underlying energy conspiracy? I think Calliope doesn\u2019t need to worry about this\u2026. but I should figure it out for the context of the story.<\/p>\n

There will be messaging between people \u2013 texting. I don\u2019t think we\u2019ll have the neural interfaces yet. I don\u2019t want this to get all Black-Mirror-y \u2013 the tech isn\u2019t meant to be super noticeable. It\u2019s got to be just slightly more futuristic than we\u2019re used to. Will I use phrases like Uber, Google, etc? Maybe, but preferably not.<\/p>\n

Calliope<\/strong><\/p>\n

Let’s figure out what makes her interesting.<\/p>\n

What is it that makes a character interesting? The same thing that makes all things interesting: conflict.<\/p>\n

I haven\u2019t yet decided if she\u2019s going to be The Protagonist. I think I\u2019m just using this character as a starting point here to start building out a setting, a set of characters.<\/p>\n

What is Calliope’s conflict?<\/strong><\/p>\n

She has desire in a world that doesn’t quite accept it. For a life of her own choosing. But she can’t have it.<\/p>\n

Why not? Well obviously she lives in a man’s world, with men’s expectations and men’s desires. And what are those? Most simply- they want to fuck her. To possess her. To control her. To use her.<\/p>\n

What are the not-so-obvious things about her conflict?<\/p>\n

Calliope has an idiot father. An idiot brother. She went to idiot school and is expected to work for Idiots Inc. Yawn. A boring life.<\/p>\n

To have an interesting life Calliope needs power. Primarily over herself and her immediate surroundings. This is a tremendous challenge.<\/p>\n

What about Calliope’s personal curiosities and impulses? How would she live if she had absolute freedom?<\/p>\n

What does Calliope want?<\/b><\/p>\n

I think the main thing is that she feels listless and disconnected, like she was born in the wrong place or the wrong time, like she fell off some wagon she didn\u2019t know about. This is a classic Ugly Duckling type trope, and the starting point of every angsty teen \/ YA thing. I\u2019m not averse to starting with the trope, I just want to go somewhere differently.<\/p>\n

The “Ordinary Day”<\/strong><\/p>\n

What is the thing that Calliope really wants, before the world smashed into her? (How does it smash into her?)<\/p>\n

I can work with what I\u2019m familiar with. Music, arts. But I think her wanting to be an artist might be a little too predictable. I think I\u2019ll have her wanting to be a technologist. I had a glimpse of that myself when I was a child and I\u2019d like to explore that through Calliope.<\/p>\n

Things I know about Calliope<\/strong><\/p>\n

She’s experienced sexism, as all women invariably do.<\/p>\n

She hasn’t experienced outright sexual assault \u2013 that would be a bit of a clich\u00e9 for me to work with, and it’s not something I’m super good at.\u00a0Rather, she has witnessed assault. She has had friends and peers that she enjoyed who suffered tremendously.<\/p>\n

She\u2019s funny. I don\u2019t want her to be this brooding quiet type, like Bella or Anastasia. And she can\u2019t be awfully serious. I think she has a sense of humour and gets in trouble for it. I\u2019m thinking there\u2019s a little bit of Fred\/George in her.<\/p>\n

At some point she\u2019s going to comment about The Cool Girl, and the meta-problem to that.<\/p>\n

She needs people to have conversations with, that\u2019s how she thinks and figures stuff out.<\/p>\n

She can\u2019t understand people who feel strongly about things one way or another. This means that I\u2019m going to have to introduce a character who feels very strongly about something, and they\u2019re going to become some sort of interest \/ foil to her.<\/p>\n

The Friend<\/b><\/p>\n

Friendship \u2013 Calliope was bored and frustrated for most of her young life without quite having the vocabulary to articulate it. At some point she encountered someone else that she really admired. An older girl who seemed very much womanly. Brash, vulgar, cigarettes and alcohol. No tattoos though, because that would be too much of a stereotype. Crazy hair maybe. Some sort of Razorgirl. It would be interesting to contrast how Calliope\u2019s friend\u00a0gets\u00a0portrayed compared to how Razorgirls are typically portrayed (Trinity from the Matrix, the silver-eyed girl from Neuromancer\u2026).<\/p>\n

For the time being maybe let\u2019s use the name Thalia. Thalia was the goddess of festivity. I could spend a lot of time exploring the relationship between Calliope and Thalia. And I think my position here is that\u2026 the reader won\u2019t know a lot about Thalia except through Calliope\u2019s eyes. And through Calliope\u2019s eyes, Thalia seemed like this wonderfully seductive escape from the drudgery of everyday life. Thalia was expressive, fun, larger than life. Bold. Confident. Aggressive. She seemed to know who she was, and she was probably the first person who treated Calliope like someone worthy of respect.<\/p>\n

So Calliope would grow to idolize Thalia \u2013 not in a ridiculous, overblown, hero-worship way, but she\u2019d just tag along. She was smart enough to know that she shouldn\u2019t simply try to be like Thalia, but to be herself.<\/p>\n

But eventually they ended up in conflict. There were times where Calliope would get on Thalia\u2019s bad side, and Thalia could get really angry, really venomous. Maybe later on we\u2019ll learn that Thalia had had a hard life, that she was some sort of oppressed minority maybe, subject to some sort of persecution \u2013 and so she became this slightly manic-depressive sort of person \u2013 very severe, very larger than life, capable of both incredibly kindness, softness, gentleness, and incredible cruelty. I really want the reader to appreciate that Thalia does things for Calliope that nobody else does, that Thalia does seem to provide care for Calliope that nobody else seems able to provide \u2013 at least in the Sector 7 Slum that Calliope lives in\u2026<\/p>\n

Huh. So that just introduced something about the setting. The sectors, of course, are from Final Fantasy 7. The city\u2019s name was Midgard. If I\u2019m going to be using names like Calliope and Thalia, then the Midgard equivalent should be Greek. Anyway I can figure out names later, I just need to move faster to kick up all the things that I want to kick up. It would be interesting to try and figure out why I thought about Sector 7. The point is that Calliope doesn\u2019t have the support system that she needs in order to live her full life, to be her full person. I\u2019m trying to think about what I\u2019m trying to squeeze in here. I haven\u2019t actually lived the street kid life, so I\u2019m not sure if I can really do justice to Calliope being a street kid. Maybe Thalia is the street kid, and Calliope sort of comes from somewhere a little bit relatively sheltered but not too sheltered.<\/p>\n

Ok I have to get to bed so let\u2019s start listing out some questions that we\u2019ll need to answer\u2026<\/p>\n

How is Calliope\u2019s community organised? What role does race play in all of this? Because I think race is almost definitely going to come up. The fact that I\u2019ve picked Greek names\u2026 I\u2019m probably going to introduce characters of other races and religions. I might call it something else. The Greek name kids are the weirdos, the outcasts, at least slightly maybe. I\u2019m just running with it here. There will be kids with Muslim-sounding names, there will be kids with Indian sounding names\u2026 I\u2019ll try to avoid giving anybody traditional white names.<\/p>\n

What is the world order? What is the maximum scale of everything? I probably shouldn\u2019t try to force a limit\u2026 I won\u2019t go beyond galactic, that\u2019s for sure. Whatever happens, it happens within a single galaxy. Or does it? Lol. Let\u2019s start with a human story on one planet, and if we want to get bigger and beyond that, we can later on, but not yet. This is like, say, Shepard\u2019s backstory. I suppose I could do a \u201cCalliope Shepard\u201d fan fiction piece just to fiddle around and figure stuff out. But I don\u2019t think Calliope is going to be a military figure. I don\u2019t think she\u2019s going to be working with guns or swords or things like that\u2026 is she? Is violence going to feature in this story? Yes, obviously. But what\u2019s the law and order situation? How safe are people?<\/p>\n

It\u2019ll be impossible not to at least comment tangentially about the current state of Earth in 2017 \u2013 international relations, people being sheep and so on. I want my characters to be smart, like the characters in Ender\u2019s Game. They have to make the best decisions they can, or at least try to.<\/p>\n

\u2013<\/p>\n<\/div>\n

[1]\u00a0I specifically want to avoid a Star Wars type situation, where it’s obviously a Hero’s Journey, and it can’t be called\u00a0‘true sci-fi’ because the science doesn’t actually make much of a difference.\u00a0\u00a0Perhaps I should list out my intended influences? Nope \u2013 that would be forcing it. I should just do what I\u2019ve been doing \u2013 I wasn\u2019t expecting Midgar to show up, but it did. So I should just keep going.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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